Saturday and Sunday 9am – 5pm
30 days or more: Full refund, minus $25 service fee
29 days – 21 days: 75% minus $25 service fee
20 days – 14 days: 50% minus $25 service fee
13 day or less: nonrefundable
Participants must be fully vaccinated for COVID – 19.
If you are unable to register, the workshop may be full. Please email Karen to be placed on a waiting list. Karen@lightartspace.com
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Tri-Color Gum Printing Workshop with Diana Bloomfield
May 7th & 8th, 2022
In this intensive two-day workshop, we will learn how to print in the 19th-century photographic process of gum bichromate. Using color separation negatives, we’ll learn how to make multilayered, tri-color gum bichromate prints on watercolor paper.
After mixing an emulsion of watercolor pigment, potassium dichromate, and gum arabic, this mixture is brushed on watercolor paper, dried, and by placing a negative on top it is exposed to UV light.
We then ‘develop’ the prints in plain tap water. Layers are built by repeated coatings and careful registration of negatives until a full, rich image is achieved.
No prior experience with this type of printing is necessary, so join us for two days of fun and experimentation with this interpretive, intuitive, and infinitely creative photographic printing process. Once you experience the joy of gum printing, you will never be the same!
A photographer for over 35 years, Diana’s work has been widely exhibited and published. Specializing in 19th-century printing techniques, her images have been included in a number of books, including Pinhole Photography: Rediscovering a Historic Technique (2004), by Eric Renner; Robert Hirsch’s Exploring Color Photography Fifth (& Sixth) Edition: From Film to Pixels (2011; 2015); in Jill Enfield’s Guide to Photographic Alternative Processes: Popular Historical and Contemporary Techniques; and in Christopher James’ The Book of Alternative Photographic Processes (2015). She is a featured artist in Christina Z. Anderson’s Gum Printing: A Step-by-Step Manual, Highlighting Artists and Their Creative Practice (2017), and also in Clay Harmon’s recently released Polymer Photogravure: A Step-by-Step Manual, Highlighting Artists & their Creative Practice (2019).
A native North Carolinian, Diana lives and works in Raleigh, North Carolina, where she received her MA in English Literature and Creative Writing from North Carolina State University. She teaches workshops throughout the country, and in her beautiful backyard studio.
Diana is represented by the Ryan Gallery at Art Intersection in Gilbert, Arizona, and by Photo-Eye Gallery (Photographer’s Showcase), Santa Fe, New Mexico.